We have more from our WGA Strike Captain Source, but even as we get ready to post this, it’s hard to keep up with the swirling rumors. Some reports confirm a rumor that Below the Line heard the Friday before the strike officially reported – that California’s own governor Arnie is in fact working behind the scenes to try and get both sides to at least talk to each other (earlier calls to his press secretary received genial denials and general wishes that the strike Wouldn’t Happen At All).
Another rumor, from noted TV journalist Ray Richmond, is that “highly placed sources” claim future First Man Bill Clinton will offer his own brand of shuttle diplomacy to settle the dispute.
Meanwhile, on Variety’s blog, “Buffy” and “Firefly” creator Joss Whedon issued a compelling statement about what was at stake. While over at United Hollywood, WGAer Ed Decter called for Google to take over the entertainment biz.

Back here in the trenches, our WGA Source left us with additional comments. Said Source noted that in the neighborhood where S. lives, most of the “biz connected” neighbors were of the IATSE – i.e. “Below the Line,” or crew – type. Seeing S. emerge on the driveway, they’d ask “What are you gonna do?”
(”You” in this case,” meaning “the writers.”) S. would say S. couldn’t be sure, but there’d probably be a strike. “Well, we’re fucked!” S. reports, by way of the neighbors’ reply.
And indeed, as reports increase about which shows are “shuttering”—closing down – that means less and less work.
At a time of, well, less and less work overall, as the dollar crashes into the cellar, gas prices shoot past the roof (and chimney), and the economy threatens its first king-hell style Depression since the 1930’s.
A letter handed out on the Warner Bros. picket lines last night – and forwarded to Below the Line – signed by a Denise Franks, asks of both sides, “Will you mend homes? Financially support the people who lost everything? Will you restore lives? Most of all will you please explain to my children, why we have to move into grandmas house, and why Santa Clause didn’t bring them any Christmas gifts?”
Franks indicates she works in a crew capacity in Hollywood, and elsewhere in the letter states “Sadly adding insult to injury it has been reported that many of the negotiators from both sides are hoping this strike continues through January! So that they have more leverage over the opposing side, knowing the opposing side will begin to feel the financial effects of the strike. By January!!!! This is no exaggeration “Below the Line” Individuals and Family’s will haveexhausted every avenue and become financially crippled and lives irreparably destroyed by January. Many can’t even survive through Thanksgiving much less through January!!!”
Which more closely reflects fiduciary reality in the teetering, spiritually and economically threadbare America of the early 21st century.
Source noted that there were already young writers leaving the picket lines looking for temp agency work, while Source would have to leave the industry after the holidays to find a paycheck to keep home and hearth in shape.
And while Source noted that perhaps Patric Verrone and the WGA “started to beat the strike drum a little too early,” Source also said that the AMPTP’s chief negotiator, Nick Counter, was “hopelessly out of touch,” having been at that gig for nearly 20 years – perhaps too long, with such a minefield of “new media” to, well, negotiate.
Source also thought that “very few of us of a certain age” would benefit from a positive outcome to these strikes – i.e., that many careers would be finished out before solely digital distribution took over from the current models. But Source acknowledged—much like Whedon said in his manifesto – that it has to be done.
“If the companies were hurting,” on the cusp of switching to “new media,” it might be one thing, Source allowed. But as been noted in Forbes and other publications, most of these companies have enjoyed record profits.
Profits they don’t seem inclined to share, very much, when “the internets” reach their full potential.
7 Responses
tony
November 9th, 2007 at 11:26 am
1Ah…please ask “Source” …HOW is any benefits the writers achieve (insert cheers here) going to benefit the little people; sound editors, grips, drivers, location managers, pa’s etc…sure the writers sometimes need residuals in between writing gigs but ah…. gee tell that to everyone else who does the same…the sympathy card just does not work here…you knew the job was difficult when you took it right….gezzz maybe realtors will strike asking for residuals when their business takes a downturn?
KT
November 10th, 2007 at 12:43 am
2Where is the Governor, the Mayor, IATSE, SAG, DGA, Reverend Jesse Jackson? We are losing more and more jobs everyday. Is there anyone that can stop this travesty? I am a single mom and I am going to lose everything. Please some one get these people talking. There is plenty to go around. Don’t let this get any worse.
tony
November 10th, 2007 at 12:25 pm
3KT, Your right but its politics. The Governor, Mayor etc will not step in until it clarifies which is the best side to be on. I think you will see the studios will eventually simply openly hire scabs to do the writing (think the air traffic controllers)-this is already to be seen in their saying soap operas will have no choice. The sad part is so many writers REALLY think they cannot be replaced…sadly EVERYONE is replacable. Its odd how the union does not realize they are dealing with very large corporations who are weighing not only the writers demands but also seeing a wonderful way to dump production deals…heck they can lose money and write it off…can we?.
Presently it makes me sick to listen to writers openly boast of their responsibility to drag the strike out and make the studios feel some pain…again these are large corporations that can lose alot of money (see General Motors) and not feel much. If this magazine is REALLY dedicated to the smaller below the line industry workers they will stop being such a mindless sounding board for the unions and be objective about the strike, its issues and its effects on well the people below the line….
Mark Williams
November 11th, 2007 at 4:21 pm
4Are we a mindless sounding board, Tony? Even here at the offices there’s a lively dialectic about the strike, its ramifications, where the responsibility is shared, etc.
But you might also ask who benefits most when workers — in any industry — start attacking each other over smaller and smaller pieces of pie.
On which note, you are right about large corporations being able to weather a longer strike. When Louis B. Meyer ran a studio, or the Laemmle family, they’d have to settle sooner, rather than later, since that was their main –only– business.
When you’re just a division of GE, things are different.
Thanks for reading, and for your contributions to the threads!
–mlw
Mark Williams
November 11th, 2007 at 4:25 pm
5KT– yes, where indeed? I have heard, variously, that the producers, or Verrone at the WGA (take your pick) have nixed specific offers of involvement from our mayor.
As for the Governor, after his press office denied, to BTL, the veracity of rumors about his behind-the-scenes involvement, such shuttle diplomacy was reported in news reports a couple of days later.
But to what end? We don’t know yet.
And yes, perhaps the pain will have to be clearly obvious to all before this strike ends.
Best to you & yours during these tough times, and thanks for jumping in here.
–mlw
BP
November 13th, 2007 at 4:33 pm
6I’m in IA 767 although I’m currently inactive and working as a stay at home Mom while my husband is a shop sound tech in 695 at a major studio. I’m an EMT, not a nurse so my earning potential outside IATSE when my husband is laid off probably by the end of this week because of this is about $12.50/hr., less than a third of what our usual income is. As each day passes, I’m finding it harder to support the WGA. They walked off the job. They weren’t locked out. I’ll never see a residual. Now if they were striking for something none of us get, like sick days, personal days etc. I might be out there with them. Through my child’s playgroup, I’m friends with a DGA member’s wife. It’s hard hearing how gung ho she is about making this strike count and having it take as long as it will take and destroying two seasons of work to make a point. She is sympathetic to the probablity of my husband’s impending unemployment but her family and the WGA won’t pay our bills of course. Her husband wasn’t even staffed on a show when the strike started so they’re already into their savings. We have a little banked up but with a mortgage and just daily living expenses we’ll be digging ourself deep into debt after about a month or two. We worked incredibly hard to get where we are now and I feel like the rug is being yanked out from under us by forces out of our control. I’m angry at both the AMPTP and the WGA at this point. The pissing contest needs to end so everyone can get back to work.
tony
November 13th, 2007 at 5:23 pm
7BP you hit the nail on the head. The first few days all around town people had to listen in silence to how RIGHT the writers were but that quickly gave way to the reality that…”Hey were we not just awhile ago thankful to get work back from Canada”. Now people are to put it mildly not happy and most are EXTREMELY nervious The reality is most of us do NOT get residuals, we are all work for hire and while one job is ending we are always busy looking for the next job add to that many of us could think our contributions to a feature do as much creatively as anything the writers do and get payed for long past anything we have done…the idea that they now want to share in the rewards of the internet is really neat but does that mean their union would be willing to share in all the losses many projects incur…I am not a big fan of the producers but I know many of them work very hard to create what they do and we are all mostly work for hire/freelance and I for one am EXTREMELY thankful for the work I do get and thats minus; health care, benefits or any residuals…I dunno maybe its time to put some eggs out in the sun….
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