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Blog the Line
As reported by Variety and recapped by the NY Sun...
AFTRA, Studios Near Deal
By Staff Reporter of the Sun
May 27, 2008
The American Federation of Television and Radio Artists and major studios are nearing a deal on AFTRA’s prime-time contract after 16 days of negotiations held at the headquarters of the Alliance of Motion Picture & Television Producers at Encino, Calif., Variety reported Monday.
Neither side issued an official announcement this weekend, after eight consecutive days of bargaining over the contract covering a number of prime-time shows, including “Cashmere Mafia,” “Curb Your Enthusiasm,” “Rules of Engagement,” and “‘Til Death.”
AFTRA president Roberta Reardon had indicated Sunday that their talks had been productive, and that the two sides were advancing toward an agreement. The central obstacle has been the studios’ desire to distribute Web clips without the consent of performers.
The Screen Actors Guild is scheduled to resume its feature-prime-time negotiations on Wednesday. The SAG and AFTRA deal expires June 30, and their lack of resolution has kept Hollywood on the edge of its seat after the tumultuous writers’ strike.
AFTRA split from joint negotiations with SAG in March after a jurisdictional dispute; this year marks the first in three decades that SAG and AFTRA have conducted separate prime-time contract negotiations.
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One Response
Richard J Holland
May 27th, 2008 at 12:01 pm
1The Big Cheese
Bearing in mind your recent article regarding the AFTRA negotiations I would like to address a few points.
It was around this time 7 Years ago SAG went on a commercial actors’ strike which crippled the commercial industry and changed it forever.
The knock on effect that occurred, were that Producers sought to do their projects elsewhere. They now make their commercials in Argentina, South Africa, Prague and really anywhere they do not have to pay the residual fees for actors. Such is the true wonder of capitalism and irony of SAGS actions.
A few gain a lot lose.
In Film they looked at this and realized more than ever that productions abroad could be a big way to decrease their spiraling costs.
Now Producers are going to Hungary, Romania, Australia, New Zealand, in fact, anywhere but here.. It is a business now and like it or not this is how you survive.
In America, Michigan is now offering 40%. Louisiana is thriving and it is rumored that Fox and WB are going to build stages in New Mexico. The infrastructure in New Mexico is growing rapidly to accommodate the new movie business, bringing wealth and prosperity for many.
For 35% Tvs’ Ugly Betty has packed up shop and moved to New York putting 300 plus people out of a job in Los Angeles, and like others I have a nagging feeling that there could be more to follow.
A large cheese that is being nibbled away by so many factions.
The far reaching effects of lost and runaway productions in Los Angeles especially for below the line technicians and their familys is enormous; if not catastrophic. The knock on effect to infrastructure suffering from this fall out is immeasurable.
The result; that because of lack of tax revenue for last year we will have to endure cuts to our parks, needed welfare services and of course once again our schools.
To top it all off, after getting through a devastating writers strike that did not help anybody except for a very few, we now have a nationwide recession, house prices falling and now the threat of another strike with SAG.
Results are, the studios are not green lighting anything until it gets resolved; therefore putting below the line out of of work and on hold again.
The disparity of salaries of above to below the line is so far apart now there is just no comparison. They also get residuals and points! To compensate for all these spiraling fees and increases Producers and Studios take it out on their below the line costs.
Maybe a solution to this problem would be for the Unions and Producers to bring a halt to these present negotiations and focus more on seriously opening a dialogue that would benefit us all; and not just a few. We need to collectively implement a plan that would encourage movies and projects to be made here and change the course from which this Lemming is running. Let the Studios profit as they should do and let us profit also.
We need to start protecting one of the most fundamental things of all in Los Angeles and that is to PROTECT OUR JOBS before it disappears completely from California.
For keeping work here I do not pretend to have an answer, but a good place to start would be to find out who is responsible for stopping all the hard work for concessions and why? Maybe I have not paid enough attention, but I do not hear the voices of our guilds who are supposed to protect our jobs and represent us in all of this. Perhaps when we get to these answers, we can start to focus on the Solution. And then there really will be enough Cheese for everybody.
Richard J..Holland
Production Designer
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