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WGA Statement on Agreement with Worldwide Pants (with updates)
28 Dec
Posted by Mark Williams in General
On the last weekday/workday afternoon of the year, here’s the WGA’s announcement on their just-concluded agreement with David Letterman’s Worldwide Pants production company. This will send the company’s talk shows back in to full production. A more interesting route of speculation might be to see what sitcoms they could come up with, and deliver to networks, if the other shows/providers remain shuttered much longer…

WRITERS GUILD REACHES AGREEMENT WITH WORLDWIDE PANTS
LOS ANGELES - The Writers Guild of America, West (WGAW) and the Writers Guild of America, East (WGAE) have issued the following statement regarding Contract 2007 negotiations:
“The Writers Guild has reached a binding independent agreement today with Worldwide Pants that will allow Late Night with David Letterman and The Late Late Show with Craig Ferguson to return to the air with their full writing staffs. This is a comprehensive agreement that addresses the issues important to writers, particularly New Media. Worldwide Pants has accepted the very same proposals that the Guild was prepared to present to the media conglomerates when they walked out of negotiations on December 7.
Today’s agreement dramatically illustrates that the Writers Guild wants to put people back to work, and that when a company comes to the table prepared to negotiate seriously a fair and reasonable deal can be reached quickly.”
And the letter the WGA is sending to members this evening follows below. This may be the key sentence: Side-by-side with this agreement, and any others that we reach, are our ongoing strike strategies. In the case of late-night shows, our strike pressure will be intense and essential in directing political and SAG-member guests to Letterman and Ferguson rather than to struck talk shows.
Whether this pressure will cause a domino-like series of “side agreements,” forcing the AMPTP to finally act as a whole, remains to be seen. But it’s certainly more possible than it was 24 hours ago. Now to the letter:
To Our Fellow Members,
We are writing to let you know that have reached a contract with David Letterman’s Worldwide Pants production company that puts his show and The Late Late Show with Craig Ferguson back on the air with Guild writers. This agreement is a positive step forward in our effort to reach an industry-wide contract. While we know that these deals put only a small number of writers back to work, three strategic imperatives have led us to conclude that this deal, and similar potential deals, are beneficial to our overall negotiating efforts.
First, the AMPTP has not yet been a productive avenue for an agreement. As a result, we are seeking deals with individual signatories. The Worldwide Pants deal is the first. We hope it will encourage other companies, especially large employers, to seek and reach agreements with us. Companies who have a WGA deal and Guild writers will have a clear advantage. Companies that do not will increasingly find themselves at a competitive disadvantage. Indeed, such a disadvantage could cost competing networks tens of millions in refunds to advertisers.
Second, this is a full and binding agreement. Worldwide Pants is agreeing to the full MBA, including the new media proposals we have been unable to make progress on at the big bargaining table. This demonstrates the integrity and affordability of our proposals. There are no shortcuts in this deal. Worldwide Pants has accepted the very same proposals that the Guild was prepared to present to the media conglomerates when they walked out of negotiations on December 7.

Finally, while our preference is an industry-wide deal, we will take partial steps if those will lead to the complete deal. We regret that all of us cannot yet return to work. We especially regret that other late night writers cannot return to work along with the Worldwide Pants employees. But the conclusion of your leadership is that getting some writers back to work under the Guild’s proposed terms speeds up the return to work of all writers.
Side-by-side with this agreement, and any others that we reach, are our ongoing strike strategies. In the case of late-night shows, our strike pressure will be intense and essential in directing political and SAG-member guests to Letterman and Ferguson rather than to struck talk shows. At this time, picket lines at venues such as NBC (both Burbank and Rockefeller Center), The Daily Show, The Colbert Report, and the Golden Globes are essential. Outreach to advertisers and investors will intensify in the days ahead and writers will continue to develop new media content itself to advance our position.
We must continue to push on all fronts to remind the conglomerates each and every day that we are committed to a fair deal for writers and the industry.
Best,
Michael Winship
President
Writers Guild of America, East
Patric M. Verrone
President
Writers Guild of America, West

3 Responses
Pissed-Off PA
December 31st, 2007 at 12:34 pm
1I’m sorry, but the WGA is claiming that the deal that passed presented the same conditions, how did he say it, ‘We were prepared to offer’ on the December 7th when the AMPTP walked out?
One thing I love to watch, as a PA, is how people express anger and disbelief upon hearing bullshit. I had a 1st AD once, the only words he’d ever speak were ‘Are you kidding me?’ and that was his gauge of anger. The man could put a million inflections on ‘Are you kidding me?’
Well, Mr. Verrone, Mr. Winship,
ARE YOU FUCKING KIDDING ME.
How foolish do you think we are, that we would continue to swallow your bullshit? Yes, it’s easy to paint a portrait of struggling Joe Gillis out on the picket lines for a few weeks, but when you red-shirted jackasses realized you were backed into a corner, needed something -ANYTHING- positive to report to keep from going belly-up, yes, you’ll cut a deal with WWP. But don’t fan that tired bullshit around. Why’d your reviled moguls leave? Because you chose the single most incendiary moment to make demands about reality television jurisdiction (what?). Fuck off. Quit wasting our time.
I make eight bucks an hour and I fucking love my job. Just because a script reader got blown one morning before sitting at a desk and reading your pile of garbage doesn’t make you cut from a different stock. Get to work. You’re part of a bigger picture, and your childish dick-measuring contests are only hurting an entire industry.
Jesus.
Overjoy'd PA
December 31st, 2007 at 2:45 pm
2The WGA has the balls to demand respect. You do not demand, you do not get. I love it. Pick off the bastards one at a time. You go WGA
Can I quit the I.A. and join your outfit ?
But guys like Jesus will work for 8 bucks an hour. What a loser.
Illegal aliens get more than 8 bucks an hour when they negotiate at home depot’s parking lot. In Spanish no less !!
Maybe you can feed the mutitudes on 8 bucks an hour, because your Jesus.
The devil
Former BTL
January 2nd, 2008 at 10:51 am
3Overjoy’d PA, if you are an actual PA then you make roughly 8 dollars an hour too, at best like 10. In case you haven’t notice, NONE of this benefits you. Have you been a PA long? You’d probably notice, like any experienced Below the line person how much bullshit is really being tossed around.
When I was a PA, I loved it too even though I got paid nothing. I was paying my bones for being in the industry just like everyone else SHOULD do. But let’s face it, these writers aren’t fighting for you or any other PA, they could care less. They demand respect by way of money. That’s just a way to sound less greedy. Do you know how much a coordinator makes? Or a 1st A.D.? Now do you know how much MORE they work? How they are the actual glue that holds production together? Probably not. Is the WGA fighting for them? They only say they are to gain favor while they put those people out of work. They didn’t make 6 figures for the past 5 seasons while they put away for a rainy day. They don’t get ANY residuals whilst sitting at home waiting for the WGA to put their dicks back in their pants. They don’t even get to bargain if they wanted to. As for PAs, they get no rights at all. BUT, they do learn everything from the ground up. It’s the apprenticeships of hollywood. But so many of these WGA and many above hte line people have never been there. They have no clue to what actually goes on. They just see money and prestige, not the multitudes that help them get it.
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